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Top...Rehearsal on Day one with Myself, Andrew, David Midthunder, And Tristan Barnard. Not the earlist conversation by far, but an important discussion between actors and writers can reap benifits in the long run. There are exciting ideas that happen at this stage of the process. This time also facilitates aversion to possible set-backs
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In pic #2, with crew looking on, Andrew and Tristan discuss lighting for an early establishing shot in the film. Alot of time is taken to ensure proper result. This is why crew is always at the ready to make minor and ofteen major adjustments. These people doing alot of this work are called "Gaffers", "Grips", and the oft shat upon "Production assistant" or "PA". Don't look lowly on a PA. These people are working their way up the ladder just like you.
The 3rd shot is of of me and Julia Bennet was taken by the archival photographer. It's a scene where she has collapsed on the desert floor and has begun hallucinating. At this time I appear to her as she had last seen me. I begin taunting her playfully and pushing her to keep at her task. I do this 'til she awakens screaming "Go AWAYYY!!" (I've heard that before...) It's a beautiful shot with regards to what it captures and the story it tells.
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This last shot is me in test make up. I have no photos from day 4's actual shooting because I was not called. These photos were taken off the "Bertha" Facebook page.
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